We watched Angel-A on the weekend, a "new" Luc Besson film. I say "new" in inverted commas because the trailer only appeared on apple.com very recently, yet it was available for hire at our DVD joint (Archway Video, for the locals). I suppose this should have given me a clue as to the lame-osity of this flick, but remembering the Besson-worship of my university days, I decided to give it a go.
My Besson-obsession began way back in 1994 with Léon. Ahhh, Léon. You were such a sweet, intriguing, truly deadly hitman. I loved the way you dressed up to play charades with a tiny, tiny Natalie Portman; and drank glasses of milk with the gangsters. I worshipped your deep French voice and your little French singlet.
I think Besson could make anybody look cool, maybe even Burt Newton, but Jean Reno directed by Besson was smokin'.
I didn't discover Le Grand Bleu 'til later. Is there anyone who didn't watch The Big Blue and decide they were going to give up their job, travel to Europe, and become an immensely cool free-diver answerable to no one but the vast blue depths?
Or wish they were an incredibly fashion-savvy alien after sitting through The Fifth Element a few years later?
But Angel-A. Deeply, deeply crapulous, poorly scripted and paced, with a leading lady who had plenty of talent in the area of "looking hot in a mini skirt" but none in the crucial art of "acting". And no, Mr. Besson, filming in black and white doesn't make you more high-brow.
I loved you once, Luc, but now it's over. You scruffy, sleazy little French man.